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CD available now or download at Other Music or iTunes

Here's the third Yoga Records / Riverman Music paper sleeve CD coproduction -- News, Hot Off The Press. It's a strikingly professional private press release from a couple of Yalies and friends circa 1974. The album sounds like nothing else yet it's easy to describe -- just imagine the harmonies and warm vibes of the post-Pet Sounds Beach Boys, with ripping tight steel guitar instead of Van Dyke Parks.

Click here to order the CD. If you don't have paypal send an to pay by check or money order. Note for record dudes: A limited supply of flat, sealed copies of the original 1974 LP are available for $60 plus shipping, just .

Testimonials and reviews:

An unlikely reissue of a charming private press LP from a couple of Yale students circa 1974, the vibe is AM radio blowback, with a distinct Surf's Up-era Beach Boys harmonic sensibility, and the jangly songwriting of the Byrds or Lovin' Spoonful. The majority of tracks also feature a lap steel guitar -- surprising, and slightly befuddling (or slightly Byrdsian), with the choral tones of the lap steel echoing the catchy melodies, reminiscent of the infectious whistling refrains of old blues tunes. In that sense, there is something timeless about this record, something difficult to put your finger on, yet it grows with repeat listens. A couple of tracks -- "Ooh La La" and "New York City" in particular -- wouldn't be surprising to find on a solo Beatles or CSNY-related LP of the time. The album is much more cohesive and well produced than the vast majority of vanity LPs of the era; these guys had a distinct knack for good hooks and lots of unexpected compositional flourishes. All in all, a very noteworthy and unique record, and a testament to how real talent can make unlikely music fall into place. -- Simon Gabriel, Other Music

During the early days of hunting down interesting records on ebay, there was more personal excitement and better odds at finding a great record for a reasonable price. One of the records that comes to mind is the 1974 release by "the News – Hot off the Press" from Connecticut. After one listen, I was an instant News fan. I knew I had a winner and that was soon confirmed when I played it for many friends, some over the phone. Everybody wanted their own copy of the album. A few days later, I'm on the phone with band member Bob Prechter telling him about "the news" of his seventies band’s unfamiliar fan base from the 21st century. Of course Bob was amazed and happy to hear his album had been resurrected by new fans that missed the bus on the record’s first life. Anyway, Bob was able to help me out with some copies of the album for all the friends that wouldn't shut up and sit still until they got a copy… and the rest is history! -- Scott Bubrig

Reviews from The Acid Archives:

Here’s a unique and outstanding 70s pop album. The lead instrument is a pedal steel guitar, played with more imagination than anywhere other than the Misunderstood’s studio recordings, often with some nice fuzzy distortion. It rarely sounds “country.” The songs are strong pop/rock, with Beach Boys-style harmony vocals on the softer songs, and tougher (but still melodic) singing on the rockers. Other than the opening “song” (three minutes of a guy fiddling with a radio dial), everything here is memorable, and no two songs sound alike. My pick hits are the powerful “Loser,” with a stunning steel guitar solo, and the long album-closer “New York City,” but this is consistent enough that any given listener could feel equally strong about any two others. This is exactly the kind of band a daring major label executive would have struck gold with in the 60s, but nobody would dare to touch in the 70s. -- Aaron Milenski

Excellent and still fairly unknown LP on the same local CT label as D R Hooker. The bulk of it is terrific 1960s westcoast-flavored folkrock with a dreamy psych vibe and good vocal harmonies. I'm reminded of other 60s-in-the-70s trips such as Creme Soda or the good tracks on Spur more than anything else, with lyrics that show the retro feel to be deliberate on the band's part, openly referring to old songs by the Byrds, the Beatles, etc. Not sure what they were aiming for with this, but it does produce an appealing sound. Another reference point is Merrell Fankhauser in his melodic '66-67 phase. Opening track of random radio chatter is unfortunate and may have turned some buyers off, and there is a so-so Creedence ripoff on side 2, but apart from that -- meaning 8 tracks out of 10 -- this is a delight. Recommended to any fan of melodic 60s sounds, and not terribly hard to find. -- Patrick Lundborg